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    The 38th Hundred Flowers Awards ceremony is held in Beijing on August 10, 2026. Photo: VCGWhen the 38th Hundred Flowers Awards, one of China's three major film awards, concluded in Beijing on Tuesday, AI emerged as one of the event's new participants, alongside the stars on the red carpet and filmmakers receiving honors.
For the first time in the 64-year history of the awards, this year's edition introduced an AI-generated content (AIGC) recommendation unit, giving AI-generated films a new pathway into a major film award platform.
The move reflects a broader shift in the relationship between technology and cinema. 
Rather than replacing filmmakers, AI is increasingly seen as a creative tool that lowers production barriers, expands visual possibilities and allows more people to turn ideas into films, Zhang Peng, an associate professor at Nanjing Normal University, told the Global Times.
The AIGC recommendation unit, launched on June 30, attracted 2,038 entries from around the world in just over a month. After evaluation, six productions received the "Hundred Flowers AIGC Recommendation Honor," covering categories including animation, visual effects, technology, creativity, directing and short films.
For many young filmmakers, AI has opened a new path into the industry. Multiple award-winning creators said at a seminar on the sidelines of the Hundred Flowers Awards that AI tools such as Jimeng and the Seedance model helped them with visual development, shot design, dubbing and maintaining emotional continuity.
Zhang Bohang, a representative of the team behind Yi Meng (A Dream), which won the award for Best Animated Work, said at the seminar that animation had long been a dream for the team, but high production costs had previously made it difficult to bring that dream to life. "The emergence of AI has given us a way to make our dreams come true," he said.
Lu Qiwei, a representative of the creative team behind Yecha Crossing the River, which won the Best Creative Work award, said at the seminar that Seedance allows creators to input characters, scenes, visual styles and directorial ideas, then select and organize the generated material themselves.
However, filmmakers at the event also emphasized that AI does not replace human creativity. Director Liu Shuheng, whose work Out of Control received recognition, said AI had lowered the threshold for creating visual images while raising the expectations for creators' decisions. 
"AI makes it easier to create a picture, but it also makes people think more about why they choose to shoot it this way," Liu said at the seminar.
The shift is not limited to AI-powered filmmaking. The awards are also expanding recognition for emerging forms of storytelling.
The 38th Hundred Flowers Awards also introduced a new short-drama recognition section, marking the first time the awards had recognized short dramas. It marked the first time the awards had included short dramas in their recognition system, organizers said.
AI also featured prominently in the event's audience experience. Global Times reporters observed interactive installations that allowed audiences and celebrities to generate personalized digital keepsake photos, while AI was also used during the red-carpet livestream to provide real-time commentary, answer viewer questions and enhance visual backgrounds.
The Hundred Flowers Awards' embrace of AIGC comes as major Chinese film festivals increasingly explore AI's role in cinema. 
Since its launch in 2024, the Beijing International Film Festival's AIGC Film Section has been the first dedicated section at a major film festival worldwide to focus on AI-powered image-making. Meanwhile, the Shanghai International Film Festival this year has launched a new "AI Studio" section, aiming to create the first experimental platform dedicated to exploring AI-assisted collaboration in film production.
From competition entries to audience experiences, these developments suggest that AI is no longer just a behind-the-scenes production tool, said Zhang.
"AI is gradually moving beyond being a filmmaking tool and becoming part of the broader film festival ecosystem," Zhang noted. 
"From AI-generated films to short dramas, the move also shows how China's mainstream film platforms are embracing emerging formats and recognizing new forms of storytelling."
。    11月6日，市委书记高键，市委副书记、市长王庆海赴沈阳，与国网辽宁省电力有限公司董事长、党委书记闫华锋进行工作会商，双方就进一步深化央地合作，加快推动重点项目建设，发展清洁能源产业等方面深入交流。         　　高键代表市委、市政府对国网辽宁省电力公司给予抚顺振兴发展的大力支持表示感谢。他说，长期以来，省电力公司立足抚顺所需、企业所能，在电网工程建设、电力设施配套、能源转型发展、电力供应保障等方面给予了大力支持。市委、市政府高度重视电力发展工作，始终把电力高质量发展融入全市经济社会发展大局来统筹谋划、一体推进，央地合作取得显著成效。当前，抚顺正处于实施全面振兴新突破三年行动的关键时期，加快推进产业转型、城市转型、社会转型，离不开电力的支持。希望国网辽宁省电力公司进一步发挥自身优势，持续优化在抚电网布局，在保障重点企业发展、服务重大项目建设、优化电力能源结构、提升城市形象品质等方面加大支持力度，把更多业务新试点、应用新场景放在抚顺，努力实现更广范围、更宽领域、更高水平的合作共赢。抚顺将进一步做好规划衔接，强化服务保障，加快推动双方合作事项落实落地。         　　闫华锋对高键一行的到来表示热烈欢迎。他表示，国网辽宁省电力公司将一如既往关注支持抚顺振兴发展，强化政企沟通与合作，深入对接抚顺所急所需，主动谋划、超前布局电力规划建设，不断加大电网投资力度，加快推进石岭500千伏变电站等项目建设，加强重大项目、重点园区等电力配套保障，高标准保障产业和民生用电，全力支持清洁能源发展，助力抚顺加快实现全面振兴新突破。         　　副市长王金华，国网辽宁省电力公司董事、总经理、党委副书记唐如海，及相关负责同志参加。                    责任编辑：李丹。

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