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电讯报:维拉愿意总价6500万镑求购切尔西前锋杰克逊_我的网站

年轻气盛

A |     

Staff members work on a short-form drama in Jiaxing, East China's Zhejiang Province, on July 21, 2026. Photo: VCG
    Staff members work on a short-form drama in Jiaxing, East China's Zhejiang Province, on July 21, 2026. Photo: VCG
Open Douyin, the Chinese version of TikTok, and AI-generated short dramas are hard to miss.
The stories span almost every genre familiar to Chinese audiences, from fantasy and immortal cultivation to urban romance and period tales.
The biggest difference is that the actors, settings and even many of the visual elements are generated by artificial intelligence (AI).
One of the latest hits is The Inverse Zone, an original mystery-thriller about monsters that has been dubbed an AI version of Stranger Things. The series has released three episodes so far, each receiving more than 1 million likes on Douyin.
Yet the team behind it consists of just three people, all born after 2000.
While Hollywood is still catching up with the short drama boom, China's short-drama industry is already moving into the AI era.
For many young creators, AI is not just another tool - it is a door that small teams could never have opened before.
"We've always wanted to make professional film and television content, with visual language, complete storytelling and a cinematic feel," Hu Hai, a member of the team behind The Inverse Zone, told the Global Times. "But the cost and barriers of live-action production were too high. Small teams had little chance to realize high-quality film and television projects."
As increasingly capable domestic AI models emerged, that door began to open. "The maturity of AI creative tools made us see new possibilities," Hu said.
The explosive growth of AI-generated short dramas is a double-edged sword: It opens doors for some, but leaves many in the industry uncertain about what comes next. Many actors who once benefited from the short-drama boom are now finding work increasingly scarce, with some turning to other professions. Meanwhile, the use of celebrities likenesses in AI-generated content (AIGC) has ignited a fresh wave of debate.
Where is the industry headed next? Global Times reporters spoke with AI creators, short-drama actors and industry experts about the opportunities and uncertainties ahead.
    
Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
    Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
Lowering barriers

Hu studied directing and filmmaking in college. His team initially focused on short comedy videos, a field with relatively low production costs and less barriers to entry. But after years of producing this type of content, they eventually reached a creative plateau. That began to shift as more advanced AI tools came onto the scene.
To produce The Inverse Zone, the team used domestic video-generation models Seedance 2.0 and 2.5. The series took nearly two months to prepare, including world-building, character design and establishing a consistent visual style. "Seedance is the best in the world. It's extremely advanced. There's no model in Europe or the US that is more useful than it," Hu told the Global Times.
The technology does not mean production is effortless, however.
According to Hu, a typical episode costs around 4,000 to 5,000 yuan ($593-$741) to produce, while episodes involving large-scale scenes, complex special effects or demanding lighting and rendering can cost more than 10,000 yuan.
The team used AI for image generation, basic voice work and material rendering, while humans remained responsible for the script, character development, cinematography and post-production.
"The soul of the entire series is still controlled by people," Hu said. "All the key creative decisions are manually adjusted and repeatedly reviewed."
Ya Cen, operations head of AI video platform LibTV, told the Global Times that the AI short-drama ecosystem is now characterized by small teams, high productivity and strong individual styles. "The most direct value of AIGC is that it has lowered the geographic and financial barriers to film and television production," she added.
Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
    Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
Actors in AI era
Yet the rise of AI short dramas is also creating new tensions.
AI-generated characters are now building fanbases, landing brand endorsements, and being described as the next generation of digital stars. At the same time, many celebrities including Taiwan actress Joey Wong have reportedly given permission for their younger likenesses to be used in AIGC.
The impact extends beyond celebrity likenesses. It is also being felt by people who once benefited from China's booming live-action short-drama industry.
The short-drama boom created opportunities for large numbers of actors, many of whom could quickly become recognizable faces. However, as AI-generated productions expand, some performers are finding fewer acting opportunities and turning to other professions.
Chongqing native Luo Xinyuan, 21, has experienced that shift firsthand.
She spent more than a year in Hengdian, East China's Zhejiang Province as a short-drama actress. Since May, she has worked at a scenic area playing Huang Rong, a character from a classic Chinese martial arts novel The Legend of the Condor Heroes.
"When short dramas were at their peak, there were lots of fast-paced, feel-good stories," Luo told the Global Times. "But that kind of content is difficult to sustain. Without richer and more meaningful stories, the pressure from AI short dramas will make things even harder."
For many short-drama actors, the disruption is likely to be structural rather than an immediate wholesale replacement, Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times. The question of celebrity likenesses may prove even more complicated.
Zhang warned that unrestricted authorization could raise concerns over control and revenue sharing. Without clearer rules, the technology could put further pressure on ordinary actors.
The next stage may not be a choice between humans and machines, but a new production model in which the two increasingly work together.
For creators such as Hu, that possibility is already here.
"AI has finally given young creators like us the opportunity to realize the film and television dreams we've had for years," he said.
。    8月26日讯 《电讯报》报道,阿斯顿维拉已表示愿意为切尔西前锋尼古拉斯·杰克逊提供6500万英镑的报价方案,而沃特金斯的未来仍存变数。据了解,维拉已经加大了对杰克逊的长期兴趣,目前谈判的重点是如何满足切尔西6500万英镑的估值。据信,维拉愿意达成一笔包含附加条款在内总价6500万英镑的交易,这将创下俱乐部纪录,但切尔西是否希望一次性付清要价仍有待观察。无论如何,越来越多的人相信这笔交易能够完成,这将为沃特金斯转会至利雅得新月铺平道路。据悉,杰克逊对转会维拉持开放态度,个人条款预计不会成为问题。这位25岁的球员一直在切尔西主力阵容之外单独训练,并且没有进入战胜富勒姆的比赛名单。自维拉去年夏天首次表达对他的兴趣以来,他一直是维拉的头号前锋引援目标。这位塞内加尔国脚曾在比利亚雷亚尔效力于维拉主帅乌奈·埃梅里麾下,两人相互尊重。杰克逊于2023年夏天从比利亚雷亚尔加盟切尔西,在效力伦敦球队的第一个赛季就打进14粒英超进球。随后的赛季他打进10粒联赛进球,但在队内的顺位下滑,上赛季被租借至拜仁慕尼黑。

B | 作为哈里·凯恩在拜仁的替补,他为这家德国俱乐部打进11球。就杰克逊达成交易很可能将为沃特金斯的转会风波画上句号,这位英格兰前锋没有参加维拉首轮负于布莱顿的比赛。30岁的沃特金斯渴望转会利雅得新月,尽管维拉希望留住这位队史英超最佳射手,但他们寻找替代者已有一段时间。维拉还接近签下布鲁日后卫奥多涅斯,形式为租借加强制买断。这位厄瓜多尔球员将作为孔萨的替代者加盟,后者已转会阿森纳。预计维拉还将官宣德国中场格雷茨卡的免签加盟。

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Published on:08:06:49


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